Tiny Furniture

 
Tiny Furniture is an independently made film directed by and starring Lena Durham about a young woman named Aura who is dealing with life after college while staying in her Mom's Tribeca loft. She's just been dumped by her long-term boyfriend and graduated from a unnamed college in Ohio with a degree in film theory.

The film has made a deep impression on me and not just because Aura's journey is much like my own (substituting the hip Tribeca loft with the not-so-hip rural Washington digs). The way that the film really stood out to me was that it didn't pass the reverse of The Bechdel Test; it had two men in it with names, but they never spoke to each other. Almost all of the primary case of characters in the film are women. I was completely struck by the lack of male presence in the film and the large amount of fully fleshed out female characters.  After getting over my initial shock I was saddened to think that I was surprised at the amount of women in one film at all.  Is it really so rare that there are large casts of women in a film?  I would sadly say "yes."  So I started thinking about how many films I could name that I've seen in the past couple of years that had more than two women in the main character cast:

• Bridesmaids
• The Help
• Thor
• Tiny Furniture
• Burlesque
• Black Swan

And that's it.  Can anyone else think of films with more than two women in the main character cast that have come out recently?  This list is pathetically short.


More info about Tiny Furniture is here.

Sunshine Cleaning Passes The Bechdel Test for Women in Movies!

Over the holidays I met Anita at a party and we were discussing our love/hate relationship with media. We both love Buffy. We are both a little sad at what Joss Whedon has done since then. She told me I should watch Farscape. I admitted to liking the new Star Trek even though it falls into some serious cliches. For instance, we can update the ship and make it look all flashy, but we can't let women wear pants?! To say the least, we hit it off.

I had never heard of The Bechdel Test until I checked out her vlog yesterday. It was developed in the 1980s to test whether or not there are substantial female characters in a film. The test is simple:

1. Are there at least two female characters in the film?
2. Do they have names?
   
3. Do they talk to each other?
4. Do they talk about something other than men?

If you are like me then you are immediately racking your brain to try and think of films that pass the test. It isn't easy. If you watch Anita's vlog clip then you can see an extensive list of films that do not pass; a lot of which are modern classics that I grew up on and loved without even thinking about how there was little for me, as a young girl, to identify with.

At the party, Anita and I both admitted that we tend to, as academics, feminists, and media lovers, attack and criticize things without talking enough about there are things out there that we love. So, last night, since it was difficult for me to think of a film off the top of my head that would pass The Bechdel Test, I took my research to my Netflix cue. And I low and behold I found a film that passed - Sunshine Cleaning. And I liked it immensely.



The story revolves around Rose (Amy Adams) who is a struggling single mother in Albuquerque. Through connections that Rose has at the local police department (re: married cop whom she has regular relations with) she transitions from being a maid to operating her own business cleaning up crime scenes with the help of her younger sister Norah (Emily Blunt). Even though the work is disgusting Rose finds happiness in helping people at moments in their lives when something horrible has happened.

I am purposely leaving out details here, because there are many very tried and true ways that the characters in this movie could change and grow. However, Sunshine Cleaning at almost every turn refuses to take the easy way out. This makes the main characters, the sister duo of Norah and Rose, more complex and interesting than female characters in the vast majority of films. Additionally, if you were to look at them through the critique of The Bechdel Test, that they are also unique in the fact that most of their interactions have little to do with the men in their lives even though their romantic entanglements are also complex.

I am not saying that the film is superior to all others, but it is touching and a great example of how to follow a classic, plot-driven, screenplay structure that media makers who've been through scriptwriting 101 have had drilled into their head and still come out with female characters who are well developed. It is, in effect, a ray of sunshine in regards to its inclusion and development of multiple, interesting female characters. Also interesting to note, is that the film was written and directed by two women, Megan Holley and Christin Jeffs, as well!